Dexter Dalwood presents his new 'London Paintings'

Dexter Dalwood presents his new 'London Paintingsat Simon Lee Gallery
However, this recent series of works focusing on the capital presents us with an entirely new and unexpected narrative through which to view a seemingly familiar city. Specific London locations or sites are reconstructed from a collage of memory, cultural and political history and subjective association, and informed by a consideration of the painted history of the city over many years. London is the inspiration and starting point for an exercise in representation – a means to an end and a nominal reference; these are in the end paintings in themselves.

The 'London Paintings' signal an exciting shift in Dalwood’s formal approach towards a more fluid, personal and interpretative working method. These paintings provoke consideration of how history is painted and how it might continue to be painted. Historical references and quotations are increasingly mediated through the painting process, resulting in images of a world that can never be quite settled upon or interpreted. The paintings refuse to coalesce into a space or place, demanding from the viewer a longer and more involved process of looking. The satisfaction of recognition is denied, instead a space is created whose function - purely through its painted reality – is to produce a strong sense of time, site, memory and history – the very things that make up a sense of place.
Somewhere between the title, the fragments of imagery and the viewer’s subjectivity, each work acquires its
meaning.

Moving with ease between the subjective and the specific to create a rich and individual language, Dalwood expertly combines elements from painting's past to produce something startlingly original in the present: a body of work that continues to re-invigorate and re-invent contemporary history painting.

Dexter Dalwood ( b.1960) lives and works in London.