Original acrylic painting of Queen Elizabeth II, on canvas and book pages.
Piece is signed on the front & also signed on the back.
Comes with signed certificate of authenticity.
Size: 50 x 70 cm
For
architect Lina Bo Bardi, drawing was a primordial way of expressing herself,
and in her archives in São Paulo, there are close to 6,000 of these works. This
small exhibition brings togeter some 100 images of her drawings, and more of
her building work and activity as a designer. In the words of the curator, 'In
the face of the loss of skill in hand drawing in the arts in general and
architectural practice in particular, Lina Bo Bardi's drawings continue to be
an always refreshing discovery of the permanent importance and value of free
and authentic thought and of skilled and learned hands.'
Venue: Fundació
Joan Miró , Sants - Montjuïc
Until
Sunday May 26 2019
Address: Parc
de Montjuïc, s/n
Sants-Montjuïc
Barcelona 08038
Opening
hours: Apr-Oct: Mon (excluding holidays) closed; Tue, Wed 10am-6pm; Thu 10am-9pm;
Fri 10am-6pm; Sat 10am-8pm; Sun & holidays 10am-3pm. Nov-Mar: Mon (excluding
holidays) closed; Tue, Wed 10am-8pm; Thu 10am-9pm; Fri, Sat 10am-8pm; Sun &
holidays 10am-3pm.
инвестировать в искусство, 投资艺术, الاستثمار في الفن, جمع الفن
Goldsmiths
CCA presents the first significant exhibition in the UK in almost 40 years of
work by the Chicago Imagists. Igniting the Chicago art scene in the 1960s, the
artists associated with ‘Chicago Imagism’ worked across painting, sculpture,
drawing, and printmaking, creating distinctive works that were irreverent and
often visceral. Variously featuring vibrant colours, distorted figuration,
shimmering repetitions, puns and wordplay, the Imagists channelled a collision
of art history, folk art, the urban fabric of Chicago, as well as vernacular
material cultures such as comic books, pinball machines and advertising.
How Chicago!
focuses on fourteen artists associated with Imagism, and features painting,
objects, drawings, prints and ephemera. The exhibition concentrates on works
from the 1960s when they first met, through to the late 1970s, when many of
them moved away, both stylistically and geographically. All of the artists
studied at the School of the Art Institute of Chicago where teachers introduced
them to non-Western and self-taught artists, and fostered delight in cast-off
objects gleaning in the city’s thrift stores and street markets. How Chicago! highlights
the affinities between a group of divergent artists who had a lasting impact on
20th century art.
How Chicago!
is organised by Hayward Gallery Touring in collaboration with Goldsmiths Centre
for Contemporary Art and De La Warr Pavilion. It is supported by the Terra
Foundation for American Art as part of Art Design Chicago, an initiative exploring
Chicago’s art and design legacy. Hayward Touring is supported by Arts Council
England.
A fully
illustrated catalogue titled Chicago Imagists 1960s – 1970s is available at a
special exhibition price, including essays by the co-curators and art historian
Lynne Warren, as well as individual texts on each artist.
Artists: Roger
Brown, Sarah Canright, Jim Falconer, Ed Flood, Art Green, Philip Hanson, Gladys
Nilsson, Jim Nutt, Ed Paschke, Christina Ramberg, Suellen Rocca, Barbara Rossi,
Karl Wirsum, Ray Yoshida.
Additional
support from Leslie Buchbinder at Pentimenti Productions.
Details
Until
Sunday May 26 2019
Venue name:
Goldsmiths CCA
Address: St
James
New Cross London
, SE14 6AD
Website: https://goldsmithscca.art
инвестировать в искусство, 投资艺术, الاستثمار في الفن, جمع الفن
The shape
of the circle has been used as a symbol since the beginning of time. Ancient
cultures all over the world used the circle to represent the same thing. The
circle can symbolize Mother Earth. It represents the spirit of feminine energy
and a space that is sacred. For me it is a symbol of the harmony and balance in
nature.
Date: 2010
Size: 70 x 100
cm | 27 x 39 inch
Signed on
the back.
Available: www.saatchiart.com
инвестировать в искусство, 投资艺术, الاستثمار في الفن, جمع الفن
Abstract, abstract art, collect art, buy art,
抽象，抽象艺术，收集艺术，买艺术，Абстрактное, абстрактное искусство, коллекционируй искусство, покупай искусство, греческое, греческое искусство
Astratto, arte astratta, colleziona arte, compra arte
Acrylic
painting on canvas.
I made this
abstract painting during my summer holidays on the small "Blue Zone" Aegean
island of Ikaria. I used acrylics and gouache on canvas.
Date: July 2008
Size: 70 x 100
cm | 27 x 39 inch
Signed on
the back.
Availabe at www.saatchiart.com/
инвестировать в искусство, 投资艺术, الاستثمار في الفن, جمع الفن
Abstract, abstract art, collect art, buy art,
抽象，抽象艺术，收集艺术，买艺术，Абстрактное, абстрактное искусство, коллекционируй искусство, покупай искусство, греческое, греческое искусство
Astratto, arte astratta, colleziona arte, compra arte
 |
| Sokratis Romilios at Almine Rech Gallery |
“Work from 1967 to Present”
Valentine incarnates a key moment in the development of the Los Angeles art scene in the 1960s and 1970s (in parallel, and somewhat in opposition to New York-based Minimalism). His work caught immediate attention through a fresh vernacular artistic vocabulary that encapsulated the essence of L.A. life. Valentine’s work stems from an unexpected alliance between his extraordinary technical and engineering virtuosity, and his rich and sensual perceptual experience. His sculptural and pictorial career has, for the past six decades, been spanning a colossal, yet, intimate project, and reflects Valentine’s abiding “love affair with the L.A. ocean and sky.”
Info
Venue name:
Almine Rech Gallery
Address: 39
E 78th St New York 10075
Cross
street: between Madison and Park Aves
Opening
hours: Tue–Sat 10am–6pm
 |
| Sokratis Romilios |
This will
be the artist’s second solo show with Mitchell-Innes & Nash and will
feature a series of new sculptural wall pieces. Assembled
largely with wood and found LP record sleeves, the works on view in Cover Story
explore an aesthetic strategy that Kersels calls “materially limited bricolage.”
Sharing in
the visual and conceptual legacy of H.C. Westermann, Martin Kersels also draws
influences from French new realists like Jacques Villeglé and Jean Tinguely, as
well as from Dadaist collagists Kurt Schwitters and Hannah Hoch. Like his
predecessors, Kersels’s work strives for an aura of immediacy, shunning the
eternal timelessness that is often sought in more traditional modes of art like
oil painting or bronze sculpture. With this exhibition, the artist seeks to
engage with the “near finite”—that is to say, the immediate world around us in
both temporal and spatial terms. Kersels makes a point to note that the size of
the LPs correspond directly to the allowable runtime of the music recorded,
highlighting the compression of time and space inherent in a vinyl recording.
In making
this body of work, Kersels was also interested in “breaking the stillness” and
several pieces in the exhibition feature an internal motor that powers a moving
component. In The Love Hours (for Mike Kelley), for instance, the artist has
incorporated a rotating dial, not unlike a tonearm on a record player or a
clock hand, which reveals a cutout of an eye as it turns. Eyes play a
significant role in the visual lexicon of Kersels’s recent work; they offer up
moments of reflection and the artist has likened the imagery on LP sleeves to
portraits or mirrors- ones that allow the viewer to “pour their own thoughts
and emotions into it.”
Cover Story
will be accompanied by a new performance piece by the artist in which, dressed
in costume, Kersels will activate the site-specific stage at the center of the
gallery space with a three-song aural collage. Performances will take place at
the opening reception and again on Saturday, May 4 at 2:30 PM.
Tuesday May
7 2019 - Saturday May 18 2019
Venue name:
Mitchell-Innes & Nash
Address: 534
W 26th St New York
Cross
street: between Tenth and Eleventh Aves
Title: La La Love
Acrylic painting on canvas
Size: 19 x 27 inc | 50 x 70 cm
Piece is
signed on the front & also signed on the back.
Comes with
signed certificate of authenticity.
Available at Saatchiart.com
инвестировать в искусство, 投资艺术, الاستثمار في الفن, جمع الفن
艺术，绘画，收集艺术，买艺术，希腊，希腊艺术
art, painting, collect art, buy art, greek, greek art
art, peinture, collectionner de l'art, acheter de l'art, grec, de l'art grec
 |
| Sokratis Romilios |
Austin
Lee's exuberant paintings extend Pop Art into the present. As Andy Warhol used
photo silkscreens to connect painting with the image-making technologies of the
1960s, Lee fuses digital techniques with traditional painting and sculptural
processes to create totally contemporary works of art. Lee "humanizes"
the digital sketches into lush paintings and vibrant sculptures. His work
becomes a bridge between the digital and the physical.
Earlier
generations of artists began their careers sketching on paper. Lee began by
using Photoshop and other digital tools to sketch on his computer. His work
combines the latest image making technologies with traditional artistic
processes. He uses the airbrush and the paintbrush to create luminous paintings
that evoke both the light of a computer screen and the bold coloration of color
field painting.
In addition
to digital drawing techniques, Lee uses 3-D modeling software to manipulate
perspective in both his paintings and sculptures, creating forms that are not
found in nature. He is one of the rare artists who has invented his own
artistic vocabulary. Both his paintings and his sculptures are instantly
identifiable as works by Austin Lee. With his original fusion of techniques,
Lee creates iconic images that embody a contemporary vision.
In addition
to his paintings of the invented images that emerge from his drawings, Lee will
also be showing a group of new portraits that he paints from life. He has been
painting visitors to his studio with airbrush during the past several years,
resulting in an accumulation of faces. He describes them as being more about
capturing a feeling than a likeness. "I work on them until they feel like
someone is there."
Austin Lee
received his MFA from Yale in 2013. During the past two years, he has presented
solo exhibitions at Peres Projects in Berlin, Bank Gallery in Shanghai, and
Kaikai Kiki in Tokyo. His work was included in Punch, curated by Nina Chanel
Abney at Jeffrey Deitch in the fall of 2018.
INFO
Tuesday May
7 2019 - Saturday May 18 2019
Venue name:
Jeffery Deitch
Address: 18
Wooster St, New York
Cross
street: between Canal and Grand Sts
Opening
hours: Tue-Sat 10am–6pm
Transport: Subway:
A,C, E to Canal Street
Website: http://www.deitch.com
Size: 23 x
30 cm
Medium:
acrylics on canvas
Artfinder: www.artfinder.com
инвестировать в искусство, 投资艺术, الاستثمار في الفن, جمع الفن
Original
acrylic painting of Marilyn Monroe on canvas and on book pages.
Piece is
signed on the front & also signed on the back.
Comes with
signed certificate of authenticity.
Marilyn is
both legend and myth. Marilyn Monroe's softness and vulnerability made her
irresistible and she is always a source of inspiration for me.
Size: 35 x
50 cm
Available
at www.saatchiart.com
“The Hugo
Boss Prize 2018: Simone Leigh, Loophole of Retreat”
Solomon R. Guggenheim
Museum, Upper East Side
The
Guggenheim bestows the twelfth edition of its annual $100,000 prize and
accompanying solo exhibition to sculptor Simone Leigh whose work could be described
as a kind of homage to the strength and fortitude that African-American women
have displayed in the face of adversity throughout American history, from the
travails of slavery to the Black Lives Matter protests of today.
One such
figure was Harriet Jacobs (1813–1897), and abolitionist and former slave who
wrote a harrowing account of her years hiding from her masters in the rafters
of her grandmother’s house. Her story provides the inspiration for the
exhibition, which includes ceramic objects and a sound installation.
This year
is shaping up to be a huge one for the Chicago-born artist: In addition to this
show, she will making an appearance in the 2019 Whitney Biennial, and will also
inaugurate the High Line's new public art platform, The Plinth, with a
monumental, 16-foot-tall bust of a black woman.
Details
Venue name: Solomon
R. Guggenheim Museum
Duration: Until
Sunday August 4 2019
VENUE Address:
1071 Fifth Ave New York 10128
Cross
street: at 89th St
Opening
hours: Mon, Wed–Fri, Sun 10am–5:30pm; Tue, Sat 10am–8pm
Transport: Subway:
4, 5, 6 to 86th St
Event
website: http://www.guggenheim.org
Wednesday
April 24 2019 - Sunday May 5 2019
Colorful
and exuberant, Julia Rommel’s geometrically abstract paintings call to mind a
mix of Kasimir Malevich and Richard Diebenkorn, among other masters of the form.
Rommel’s paintings are the result of a back and forth battle with the canvas. The
beginnings of a painting are reworked, covered, and revised through various
stages until the moment when she finds contentment.
Details
Venue name:
Bureau
VENUE
Address: 178 Norfolk St New York 10002
Cross
street: between E Houston and Stanton Sts
Opening
hours: Wed–Sun noon–6pm
Transport: Subway:
F to Lower East Side–Second Ave
Marilyn is
both legend and myth. Marilyn Monroe's softness and vulnerability made her
irresistible and she is always a source of inspiration for me.
New Media: Screenprinting
on Canvas.
Size: 102 W
x 63 H x 1.8 cm
Available
at www.saatchiart.com
Elvis is one
of the most iconic men to have lived in the 20th century and that gave the
inspiration to make a limited edition in his memory.
PMQ ,
Sheung Wan
Until
Sunday April 14 2019
Looks like
Kaws is a major player at this year’s Hong Kong Arts Month. Not only does he
have a gigantic floating installation at Victoria Harbour, there’s also a
comprehensive exhibition that delves into the artist/designer’s impressive
oeuvre. Exploring a decade of Kaws’ 37 most iconic works including life-sized
design figures, paintings, sculptures as well as pieces never before exhibited
in Hong Kong, the exhibition gives you a chance to meet some of Kaws’ most
iconic characters such as Companion and Chum.
Venue name:
PMQ
Address: 35
Aberdeen St Central Hong Kong
Event
website: http://www.hoca.org
инвестировать в искусство, 投资艺术, الاستثمار في الفن, جمع الفن
艺术，买艺术，收集艺术，艺术收藏家，波普艺术
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